Summer Art & Advocacy Youth Fellowship

Clockshop’s Summer Art & Advocacy Youth Fellowship is a 6-week-long, cohort-based summer program for a small group of high school students in Northeast Los Angeles. The program combines outdoor exploration and art-making with public space advocacy training. The fellowship is tuition-free, and fellows directly receive a $2,500 award to be used towards future educational endeavors.

Over the course of the summer, fellows:

  • Learn about the ecology of the Los Angeles River and our local public lands and parks
  • Collaborate with professional artists
  • Explore strategies for advocating for political change in Los Angeles
  • Grow leadership skills as they imagine and actualize a collaborative final project 
  • Build community with other high schoolers from across Northeast Los Angeles


Eligibility requirements:

  • Currently in 10th or 11th grade
  • Live or attend school in Northeast Los Angeles
  • Interested in the intersection of art, community, ecology, and local politics
  • Able to attend every day of the program, Tuesday – Friday from June 25 – August 7, 2026 

Applications for Summer 2026 will open in February 2026. 

Contact caroline@clockshop.org with any questions.

 

See below for an overview of our Summer Youth Fellowship.

2025 Summer Youth Fellowship

Unit 1: Ecology, Community, and Place
During the first days of the Clockshop’s 2025 Summer Youth Fellowship, the fellows got to know the Los Angeles River and each other. Artist Mercedes Dorame situated the group in the long history of the Los Angeles Basin, contextualizing the landscape by sharing about her Tongva ancestry and presenting works from her multi-disciplinary artistic practice. Team-building challenges, reflective journaling, and an intention-setting collage workshop with Mercedes laid the groundwork for a meaningful six weeks to come. 

Next, the fellows deepened their engagement with place by considering the complexities of map-making. They analyzed the ways historical maps of Los Angeles—from early maps drawn by Spanish settlers to later maps of oil wells and proposed freeways—have been used to extract value and exert control over land and people, then explored an alternative approach to map-making—countermapping—in which the practice of map-making becomes a form of resistance and expression. Annette Kim of USC’s Spatial Analysis Lab shared about the work she and her students are doing to map LA’s cultural richness, and fellows embarked on a summer-long project through which they reclaimed their spatial experience of Los Angeles by creating countermaps that took the form of paintings, videos, and photo-essays. 

Fellows also immersed themselves in Northeast Los Angeles’s ecology through a river walk with kat superfisky, a kayak trip through the Glendale Narrows, and a native plant restoration workshop with Test Plot. They visited two of Los Angeles’s river state parks, Rio de Los Angeles and Los Angeles State Historic Park, learning about the histories and ecologies of both places and meeting with artists and activists, including Debra Scacco and Tany Ling, who have deep ties to these hard-won public spaces.

During the program’s second week, the fellows embarked on a three day camping trip to Malibu Creek State Park. There, the fellows hiked, swam, and explored the many different ecosystems that comprise the park. On hikes and at the campsite, they got to know many of Southern California’s plants and animals, from mugwort to valley oak to nesting ravens to a baby rattlesnake! The long trip allowed fellows to slow down and take time to absorb lessons from the non-human teachers around them through quiet solo exploration time, a docent-led night hike, and lots of play, journaling, and discussion. Campers also cooked for and cleaned up after each other; learned basic wilderness skills, such as Plant ID and tent construction; and participated in an epic talent show.


Unit 2: Stories, Art, and Place
In Unit 2, art-making and storytelling emerged as the focal modes of engagement for the fellows, who challenged themselves to expand their understanding of what art and storytelling look like, and can make possible. 

During this unit, the cohort made several visits to Arvia Projects in Cypress Park, an important site of recent community organizing, and the canvas of resident and local mosaic artist Andrés Cortes, who has tiled hundreds of square feet on and around the property. The compound of buildings—home to many local families—was recently the site of an historic housing victory: in the face of real-estate speculation by outside developers, tenants entered into a partnership with local community organization LA Más, who purchased the site in order to keep residents in place and ensure long-term affordable housing in the neighborhood. This win was the backdrop for a collaborative mosaic mural that the fellows made on a wall at the property, celebrating local resiliency and the other, non-human members of the Northeast LA community. Fellows each represented an element of the native ecosystem—herons and crows, poppies and sage, river and mountain—using tile and glass.

In the afternoons, Clockshop’s community programs manager, Darío Herrera, invited the group to explore Clockshop’s cultural atlas project in a multi-part oral history workshop. Fellows discussed the value—and challenges—of collecting oral histories, and learned best practices. The fellows interviewed each other about their relationships to home, and then transformed their interviews into written stories, some of which were shared on Clockshop’s Substack, yOUR River.

Rosten Woo joined the fellows on the final day of Unit 2 for an all-day workshop. After Rosten shared an artist talk and answered questions about his research-based practice, the fellows broke up into groups, each assigned a contested and community-championed green space in Los Angeles: Los Angeles State Historic Park, Elephant Hills in El Sereno, Río de Los Angeles State Park, and the Verdugo Mountains site of #nocanyonhills. Fellows researched the histories of advocacy around their assigned spaces, and were tasked with designing a sign that would theoretically be placed in the site they’d researched. The day ended with a rich hourlong critique, during which Rosten and the group shared feedback on each design. 

Unit 3: Making Change in Our Community
During Unit 3, fellows returned to a busy schedule of workshops and field trips, guided by the question: How do people work toward political, social, and ecological change in Northeast LA? Fellows met urban planners, community organizers, researchers, local government officials, and others to build out their own many-pronged answer to this question. 

The cohort learned about mutual aid efforts in Cypress Park, participated in an interactive panel discussion with community organizers and State Parks officials about the history of Northeast LA’s urban green spaces, participated in a zine-making workshop with Theresa Hwang about community healing and transformative justice, and took part in a role-playing game led by urban planner Leslie Dinkin which invited them to think about the complex process of designing large landscape infrastructure. They also met CD1 Councilmember Eunisses Hernandez, who shared insight on her experiences before and since being elected, and advice for young people hoping to get engaged in city politics.

Unit 4: Our Unique Position
In the program’s final unit, the students were given a budget, a wide-open schedule, and a final question to answer: How can we make change in our community given our knowledge, experience, and identities? The cohort was tasked with finding a way to demonstrate and actualize their insights and learnings from the summer, as a team. Fellows identified issues that mattered to them, as well as skills, strategies, and tactics that they’d learned about over the course of the summer. They decided to focus on gentrification and its attendant issues: displacement and the risk of cultural erasure. The cohort decided to create a space of cultural resilience, storytelling, and resource-building in the form of a joyful community event called Northeast LA (NELA) United.

Over the program’s final two weeks, the fellows worked as a team, making decisions collectively and dividing tasks among committees. The stage committee developed a run of show and a vision for an open mic storytelling event in which oral histories of the neighborhood would be shared. They also coordinated performances by a stellar local teen jazz band, a danza azteca group made up of fellows and their friends, and a show-stopping song performed by another of the fellows. Other groups managed the budget, collected resources on tenant protections and immigration rights to share at the event’s resource table, got in touch with local street vendors to share tacos and raspados with attendees, and collaborated on the dozens of other tasks necessary to get such an event off the ground. 

On the night of NELA United, a multi-lingual, multi-generational crowd of over 125 friends, family, and community members filled the space, sharing stories, making art, and celebrating the history and resilience of Northeast Los Angeles together. 

The sense of accomplishment and community was invigorating, and in the final days of the program, as they reflected on the success of the event they’d made happen, the fellows independently decided to continue to meet and organize as a group, past the limits of the summer. Throughout the coming school year, they’ll meet twice a month—hosted at Clockshop’s space in Elysian Valley—to carry onward the work they started.

2024 Summer Youth Fellowship

Week 1: Ecology and Grounding in Place

Guiding Questions
What are the human and more-than-human relationships that comprise the ecology of Northeast LA? What are the histories of these relationships and what possible futures might exist for them?

Week 1 of Clockshop’s Inaugural Summer Arts & Advocacy Youth Fellowship focused on (re)acclimating fellows to the areas where they will be spending the duration of the program – in and around the Los Angeles River. Fellows met with local artists and activists Lazaro Arvizu Jr. and Eddie Rodolfo Aparicio. Both Lazaro and Eddie shared their approaches to making and using art—approaches informed by their identities and experiences with indigeneity, migration, and community. Fellows also deepened their knowledge of the ecology of Northeast Los Angeles through workshops led by local partners, covering topics including community science, naturalist interpretation, and urban kayaking.

Week 2: Stories, Art, and Place

Guiding Questions
How might we stretch our understanding of what art looks like and can do? How might art either entrench or disrupt dominant place narratives or stories?  What role can art and stories play in inviting new kinds of relationships between people and place?

Week 2 Fellows worked with artists and storytellers to explore the role art and story can play in challenging and/or disrupting dominant narratives about places, and exploring the ways art can build and maintain community. Fellows took part in three multi-day workshops. The first workshop was a deep dive into Oral History led by Darío Herrera as part of Clockshop’s Take Me To Your River project. Fellows learned how to listen closely and shared place-based stories with peers. The next workshop, led by artist Rosten Woo, tasked fellows with capturing their relationship to a meaningful place (Lewis McAdams Riverfront Park and the Los Angeles River) through a series of photographs. Rosten challenged the fellows to recontextualize these images with creative captions that changed the way a viewer might interact with or understand what was depicted. Later in the week, fellows worked with Andres Cortes, an artist from Northeast Los Angeles, and collaboratively constructed a mosaic mural of expressive self portraits with donated tiles/ceramics.

Week 3: Politics & Social Change

Guiding Questions
How do decisions get made about land in Northeast LA? What are the different ways through which people can work toward socioecological transformation?

Week 3 During the third week of the fellowship, through research, field trips, and conversations, the fellows explored the wide range of approaches that people, organizations, and institutions can take to affect social and ecological change. To kick off the week, fellows worked in small groups to research and present to their peers the stories of public space advocacy that led to three public green spaces in Los Angeles. The next day, they had the opportunity to meet many of the figures involved in these fights, from student organizers who won the fight to turn railyards downtown and in Cypress Park into park space, to the California State Parks officials who partnered with those community members to push for a new, urban-focused direction for the agency. The fellows also embarked on field trips into the community. They visited the Los Angeles River Integrated Design Lab where they learned about and participated in new approaches to community engagement around urban design, and they joined the organizers at LA-Más to hear about community-led mutual aid efforts in Northeast LA. The week concluded with a theater of the oppressed workshop, during which fellows learned about the methodology of Agosto Boal and participated in theater games, and a forum theater exercise where they used acting to explore and intervene in issues of gentrification in Northeast LA.

Week 4: Our Unique Position

Guiding Question
What are we uniquely positioned to do given our knowledge, experience, and identities?

During the fourth week of the program fellows wrapped up projects from earlier this summer, attended various field trips, and began to plan their culminating event. This week, fellows added the final details to the mosaic mural they worked on during Week 2 of the Fellowship with artist Andres Cortes. Fellows took pride in the fact that they accomplished a huge art piece in such a short amount of time. Fellows also visited Luis Rincon, who they met during Week 3, at Los Angeles State Historic Park, and learned more about the history of the park and how it is sustained. 

The last field trip of the week gave fellows the opportunity to speak with Eunisses Hernandez, City Council Member for District 1 of Los Angeles, at Los Angeles City Hall. They chatted with the Councilmember about her path into politics, her vision for District 1 moving forward, and how she sustains herself in order to continue her work. Following their time with Councilmember Hernandez, they took a brief tour of City Hall before heading back to the Cypress Park Clubhouse to continue planning their final event. As they planned their event, fellows drew from their experiences and knowledge they’ve gained throughout the Summer Youth Fellowship to consider what issues in Northeast Los Angeles they felt most urgently about: environmental justice, the power of art and story to change narratives about places, tenants rights, and mutual aid. Through these discussions, fellows reimagined what Northeast Los Angeles could be if they had the opportunity to share what they learned. They took all the ideas they had and put them together for their event – “Voices of NELA: Advocacy Fair.

Week 5: Bringing Community Together

Guiding Question
How can we share our skills and knowledge with our community?

In the program’s fifth week, fellows worked toward their final event, Voices of NELA: Advocacy Fair, with laser focus. The twelve fellows broke into four groups, each responsible for a piece of the larger event. One group focused on housing justice and created a compelling infographic educating tenants on their rights, and designed a life-size board game for guests to play, complete with true/false questions about tenancy law in California. A second group put together a community closet, with the slogan “Give what you can, Take what you need,” and developed a pamphlet about mutual aid to hand to folks who stopped by. The third group developed a table where visitors could learn about the benefits of native southern California plants, and spent the week writing up informative handouts and preparing “seed capsules” and a native seed planting station. The final group put together a table whose goal was to change stereotypical narratives about Northeast LA through creative mapmaking (or “counter-mapping”; see week 1 description for more). They created a large-scale map of the area for people to add onto during the event, a personal map-making station, and a gallery of the fellows’ own mapping projects, which they worked on throughout the summer.

The fellows were also responsible for doing outreach (vibrant flyers posted around their neighborhoods), planning the music (a joyful, mariachi-heavy playlist), organizing catering (pupusas from El Majajual and aguas frescas made by the fellows’ families), and decorating the space (strings of handmade papel picado). The event was attended by over one hundred people, including the fellows’ families and teachers, Youth Fellowship workshop leaders, Clockshop’s neighbors, and other friends and community members. 

Leading up to the final event, the fellows were treated to a celebratory lunch, and shed more than a few tears reflecting on the community they’d built and the growth they’d witnessed in themselves and each other.

 

 

VIDEO

Summer Youth Fellows 2024

SUPPORT
Summer Art & Advocacy Youth Fellowship, and related programs, are supported through generous funding from ARLAThe Getty Foundation, The Michael and Alice Kuhn Foundation, The SNAP Foundation, CIV:LAB, American Business Bank, Dwight Stuart Youth Fund, WHH Foundation, and Clockshop’s generous community of individual donors.