Photo: Gina Clyne

Clockshop works with artists to deepen the connection between communities and public land, in order to build a shared vision of a future based in belonging and care.

As a Los Angeles-based arts and culture nonprofit, Clockshop produces free public programming and commissions contemporary artist projects on public land to better connect Angelenos to the land we live on. 

We address the climate crisis as a cultural problem that requires equitable cultural solutions. Through long-term collaborations with artists, like-minded partners, and local stakeholders, Clockshop promotes ecological stewardship and climate resilience among the communities we serve. 

Our projects center working-class communities of color in Los Angeles and aim to support the wellbeing and vitality of multiple communities. Whether Indigenous, African American, Latinx, Asian American, Pacific Islander, or immigrants living in LA, we shape the city’s future together.

We bring this mission to our work at Los Angeles State Historic Park in Chinatown and Rio de Los Angeles State Park (The Bowtie) in Glassell Park, in collaboration with California State Parks. 

Clockshop was founded by filmmaker Julia Meltzer in 2004 and is a 501(c)3 nonprofit organization. We do not accept unsolicited portfolios or proposals.

People

Team

Sue Bell Yank, Executive Director

Sue Bell Yank is a writer, curator, educator, and arts administrator, and is formerly the Deputy Director at 18th Street Arts Center. She has worked in arts, entertainment, and public schools for nearly 20 years, including as Associate Director of Academic Programs at the Hammer Museum, where she formed city-wide partnerships triangulating communities, the arts, and schools. She created an online education platform for the Oprah Winfrey Network, and has worked as a teacher and curriculum specialist in and out of public schools. Her expertise lies in art with social impact, public art installations, cultural programming with community partnerships, strategic communications and digital marketing, and organizational strategy. Her interest in urban planning and affordable cities led her to create a six-episode podcast about housing in Los Angeles called Paved Paradise. She teaches at UCLA, frequently writes about socially engaged art practice and pedagogy, and has been a Field Researcher for A Blade of Grass and Asian Arts Initiative. She is the Chair of the City of Glendale Arts & Culture Commission, and has consulted with a wide range of nonprofits on audience development, strategic planning, and visioning in the arts under the auspices of the California Arts Council, the Center for Cultural Innovation, and the City of West Hollywood. Yank received a BA from Harvard University and an MA in Public Art Studies from the University of Southern California.

sue [at] clockshop.org

 

Julia Meltzer, Founder and Senior Advisor of Community and Government Partnerships

Julia Meltzer comes from a large Los Angeles family who nurtured her belief that art transforms communities. As the Founding Director of Clockshop, she has worked for over two decades creating opportunities for artists and audiences to come together on public land. Thousands of Angelenos have had access to arts and culture through Clockshop’s programs, along the LA River and beyond. Meltzer’s work as an artist and filmmaker has been exhibited at the Metropolitan Museum of Art, Whitney Museum of American Art, Toronto International Film Festival, among many other venues; her two feature documentaries, ‘The Light In Her Eyes and Dalya’s Other Country,’ were broadcast nationally on PBS’s POV series. She was a John Simon Memorial Guggenheim Foundation Fellow and a Senior Fulbright Fellow in Damascus, Syria.

julia.meltzer [at] clockshop.orgjuliameltzerfilms.com | meltzerthorne.com

 

 

Cat Yang, Director of Artist Projects

Cat Yang lives and works in Los Angeles. She is a curator, cultural worker, and writer. Yang is interested in exploring liminality, inflection points, and interstitial spaces where self-determination is emergent. Yang is on the Steering Committee of GYOPO and received a BA from UCLA in Geography.

cat [at] clockshop.org

 

 

Katie Janss, Development Manager

Katie Janss (she/her) is a programs, operations, and fundraising professional based in Los Angeles / Tongvaland. She is the Development Manager at Clockshop, where she oversees the organization’s individual giving program. She also volunteers as the Director of Operations at The Chapter House, an Indigenous arts and community space based in Los Angeles and on the Navajo Nation. She was recently the Program Operations Manager for the Navajo Water Project at DigDeep, where she started the Water Is Life Fund, a microgrant program aimed towards funding community-led grassroots water access projects on the Navajo Nation. She earned her bachelor’s degree in political science from the University of California, Santa Barbara.

katie[at] clockshop.org

 

Darío Herrera, Community Programs Manager

Darío Herrera is a multidisciplinary historian and community organizer from Northeast LA. His upbringing and experiences have inspired his intersecting passions in food justice, educational reform, and archival work. Cognizant of the power of history, his work is grounded in a desire to understand, question, and propose new definitions of heritage in marginalized communities. He holds a BA in History and French from Williams College.

dario [at] clockshop.org

Caroline Kanner, Youth and Family Programs Manager

Caroline Kanner is an educator from Los Angeles. She has worked as a teacher, museum educator, and curriculum designer in Connecticut, Texas, Alabama, and California. Most recently, she taught second grade with LAUSD in Koreatown. She loves making art and being outdoors with young people, and is passionate about creating learning spaces where kids and teens can build their power. Caroline holds a BA from Yale University and an M.Ed from UCLA.

caroline[at] clockshop.org

 

Rhombie Sandoval, Communications and Social Media Manager

Rhombie Sandoval is a photographer and storyteller currently residing in Southern California. Her entry into photography started after receiving a camera as a gift from the Make A Wish Foundation, a gesture arranged on her behalf due to being born with heart disease. With the camera, Sandoval realized she could navigate her shyness and connect with people using the camera as a tool to understand various vantage points, searching for and highlighting the common themes linked to one’s identity and location. Sandoval later studied Photography at Art Center College of Design. She is also the founder of Anywhere Blvd, a platform which features portrait photographers by promoting the narratives of their subjects.

rhombie [at] clockshop.org

 

Isabel Yi Jimenez, Project Associate

Isabel Yi Jimenez is an artist and cultural worker based in Los Angeles. Their work mines the site of place and cultural memory in an attempt to disentangle the question of where the individual stands in reference to the collective, and this practice wherein sociality is inherent to art-making guides their commitment to community-based engagement and activism. They work with the editorial team at the Los Angeles Review of Books and received a BFA in Photography and Media at the California Institute of the Arts.

Isabel [at] clockshop.org

 

Hugo Garcia

Hugo Garcia, Director of Community Engagement

Hugo Garcia is the Clockshop Director of Community Engagement. Hugo also serves as the Campaign Coordinator for Environmental Justice at Esperanza Community Housing. He brings over 30 years of community organizing and engagement experience across several environmental and social justice campaigns throughout the City of Los Angeles. He specializes in building strategic partnerships and successful organizing strategies. A lifelong resident of East Los Angeles, Hugo also has experience in teaching and employment development, having served as Director of the 2nd largest youth employment development program in the city of Los Angeles.

hugo [at] clockshop.org

 

Collaborators

Ivanna Baranova, Grantwriter

Gina Clyne, Primary Freelance Photographer

Isa Eugenio, Graphic Designer

Adrian Garcia, Freelance Sound Engineer

Mathew Scott, Take Me to Your River, Primary Freelance Photographer

Chris Tyler, Grantwriter

Chris Votek, Primary Sound Engineer


Board Members

Andy Wong, President

Andy Wong has served on the Clockshop Board of Directors since spring of 2021 and has been Board President since spring of 2022. He is a Senior Vice President, Associate General Counsel, at Paramount Global and is counsel for the CBS Television Network, practicing media law shortly after graduating from UCLA School of Law in 2000. Andy is also a graduate of University of California at Berkeley. Born in Hong Kong, Andy immigrated to Los Angeles at a young age and is a proud Angeleno.

Mia Locks, Vice-President

Mia is an independent curator and executive director of Museums Moving Forward, a data-driven research organization dedicated to increasing equity and diversity in the art museum sector.

Ignacio Perez Meruane, Secretary

Ignacio Perez Meruane is a Chilean artist who lives and works in Los Angeles. His sculptural work focuses on how colonialism, and by extension global capitalism, impresses upon culture and our environment. His work has been shown at Craft Contemporary, Torrance Art Museum, Commonwealth & Council, Los Angeles Contemporary Archive, and Galeria Tajamar in Santiago, Chile. In addition to his practice as an artist, he organizes the Palestinian reading group at the Los Angeles Contemporary Archive. Perez Meruane received a B.F.A. in General Sculptural Studies from the Maryland Institute College of Art, and an M.F.A. from the California Institute of the Arts.

Meldia Yesayan, Treasurer

Meldia is the Director of OXY ARTS, the multidisciplinary arts center and program initiative at Occidental College. She was instrumental in the new building renovation, the opening of the center, and shaping the organizational identity and programming strategy for the initiative. Meldia is responsible for all exhibitions and programs at the center, facilitating visiting artist residencies, initiating cross-departmental and interdisciplinary collaborations, and engaging the Occidental community in socially conscious discourse with contemporary arts practices. Additionally, she actively engages with the Los Angeles arts scene, fostering valuable partnerships with local agencies, artists, and institutions.

Claire Bowin, Board Member

Throughout her career, Claire Bowin has focused on supporting sustainable and collaborative community building efforts. Claire’s multi-decade career has included a variety of community focused activities ranging from community organizing, to affordable housing development, to open space and transportation policy, to the design of green school yards, college campus improvements, and public parks.

Vali Chandrasekaran, Board Member

Vali Chandrasekaran is a television and screenwriter who has worked on MODERN FAMILY and 30 ROCK, and is author of the Eisner nominated graphic novel, GENIUS ANIMALS? Before coming to Hollywood, Vali studied computer science and was editor of the Harvard Lampoon. He and his wife Nithya Raman have twin second graders and live in Silver Lake.

York Chang, Board Member

York Chang (b. St. Louis, MO, lives and works in Los Angeles) received his J.D. at UCLA, and works as both a union-side labor lawyer and a visual artist. Chang has exhibited his work at various institutions, galleries, and fairs in the U.S. and internationally. He was the recipient of a California Community Foundation Fellowship (2014), the Vincent Price Art Museum’s Thomas Silliman Vanguard Award (2020), and the City of Los Angeles (COLA) Master Artist Fellowship (2022). From 2005-2013, Chang also served on the Los Angeles Cultural Affairs Commission (president from 2009-2013), where he oversaw the public art commissions and public architecture design for the City of Los Angeles, and helped to establish a public-private grants partnership for emerging artists.

Ayasha Guerin, Board Member

Dr. Ayasha Guerin (they/she) is assistant professor of intersectionality and practice-based research and media making in the department of World Arts & Cultures/ Dance at UCLA. They are an interdisciplinary artist and scholar whose research and creative practices center socio-ecological histories, connecting human and animal experience through questions of relational reciprocity, and are a founding member of the Berlin-based research collective, curating through conflict with care (CCC), which uses conflict and contradiction as a methodology for identifying and revealing the paradoxes of inclusive curating. In 2023 they founded the Liberated Planet Studio, for artists and activists interested in ecological research and somatic experiments to mobilize discourse about the intersections of environmental and social exploitation.

Kevin Kane, Board Member

Kevin Kane is a design focused entrepreneur and a founding partner at Arktura and NOWN, whose passion for design is driven by the desire to create environments that evoke specific emotions through experience, materiality, and interaction. Trained as an architect, he continues to work closely with clients and artists to set new standards for creative problem solving and manufacturing innovation in the installation and architectural worlds.

Kristina Kite, Board Member

Kristina Kite is a gallery owner, curator, writer, and art historian working in Los Angeles. She has been an active member of the Los Angeles art community for over 20 years. She is also a founding member of the Artists Acquisition Club, a group of artists, writers, and curators who collectively purchase and gift significant artworks by influential “artists’ artists” to major institutions.

 

Cynthia Vargas, Board Member

Cynthia Vargas is a curator, researcher, educator, and founder of Stairwell, an experimental art space and residency housed in a domestic space in the Westlake-MacArthur Park area of Los Angeles. Her practice encourages curiosity, generosity, and well-being. Cynthia also serves on the board of Barnsdall Arts.

 

Julia Meltzer, Board Member

Sue Bell Yank, Board Member (ex officio)

Core Values

Clockshop’s Core Values

Trust Art
We believe that art provokes new ways of thinking and nurtures possibility.

Root in Place
We believe that cultural programs connect people to the places where they live and engender welcome, belonging, and care.

Reimagine Expertise
We believe that we learn best through non-hierarchical dialogue that honors the expertise of lived experience.

Take Time
We believe that meaningful change takes time, and is actualized through long-term commitments and partnerships. 

Protect Public Land
We believe that bringing people together on public land inspires stewardship, democracy, and interconnection.

Envision Liberation
We believe that dismantling injustice, inequality, and racism demands a radical commitment to structural change. 

Support Climate Resilience
We believe that connecting people in natural environments on public land through artistic and cultural events can provide a pathway for communities to directly address the growing impacts of climate change. 

Contact

info [at] clockshop.org

Work Opportunities

Job Openings

Thank you for your interest. There are no open positions at this time.


Volunteer

As a small organization with an ambitious programming schedule, we are happy to have all the help we can get. Sign up here to join our Volunteer list. We reach out to our roster of volunteers ahead of events and programs, so look out for an email or call for volunteers on our newsletter and Instagram!

Location and Land Acknowledgment

2806 Clearwater Street
Los Angeles, CA 90039

Clockshop is located in a former porcelain mold factory in Frogtown, adjacent to the LA River. We share our space with elysian, an event venue run by David Thorne and his dedicated staff.

Many Clockshop events happen at LA State Historic Park and the Bowtie Parcel (2780 W. Casitas Ave. 90039), a river-adjacent parcel of land owned by California State Parks. Learn more about our partnership here. Clockshop has also executed projects on LA city streets, and at various partner institutions, such as California Institute of the Arts, the Huntington, and Armory Center for the Arts.

Land Acknowledgment

Clockshop’s mission is to work with artists to deepen the connection between community and public land. We cannot do this without acknowledging that the land we occupy is originally and still inhabited and cared for by the Native First Peoples of this region. We are grateful to be able to live and work on these ancestral lands. Clockshop is dedicated to growing and sustaining relationships with Native peoples and local tribal governments, including (in no particular order) the: Fernandeño Tataviam Band of Mission Indians, Gabrielino Tongva Indians of California Tribal Council, Gabrieleno/Tongva San Gabriel Band of Mission Indians, Gabrieleño Band of Mission Indians – Kizh Nation, San Manuel Band of Mission Indians, and San Fernando Band of Mission Indians, through a commitment to truth, healing, and elevating the stories, culture, and community of these original inhabitants. 

Land acknowledgment is essential and meaningful, but it is important to go beyond that. Kuuyam nahwá’a is a Tongva concept of guest exchange which acknowledges both relationships and reciprocity to the lands and Native Peoples of Los Angeles County. Clockshop is proud to be making a kuuyam nahwá’a, an institutional financial guest offering for guests in Los Angeles/Tovaangar to the Tongva Taraxat Paxaavxa Conservancy who just received land back for the first time. We invite individuals and other institutions to go beyond land acknowledgment and join us in making a guest exchange at tongva.land.

Please visit our additional resources for how to go beyond land acknowledgment here.

Values for Clockshop’s Relationships with Native Communities of Tovaangar

As a settler organization of Tovaangar, Clockshop strives to be a gracious guest, and to continue our respectful support of members of Indigenous communities who are Native to the LA Basin.

Below are our commitments and values when entering into relationships with the Native peoples of Tovaangar. We make these public to serve as the foundational basis for relationships that will hopefully grow over time, but also to hold ourselves accountable to facilitating meaningful change.

Download our full values here.

Accessibility

Clockshop is committed to ensuring accessibility and removing barriers to our artist projects and programs for individuals with disabilities. From the inception of every project by working with our partners (in this case the Los Angeles State Historic Park and California State Parks) and our collaborations with artists and other contributors, we work towards considering how an audience and specifically people with disabilities can interact, engage, and connect with our artist projects. Central to removing barriers is thinking about how an audience member with disabilities will experience a work of art, especially within a public setting—and the way in which a work of art can be most welcoming for all audiences, including visitors with physical impairments, intellectual disabilities, mental health conditions, or vision or hearing disabilities, with examples such as creating audio guides for visually impaired or blind audiences that provide a visual description tour of an artist’s installation.

Los Angeles State Historic Park, where all of our recent and upcoming exhibitions and accompanying programs took / will take place, is fully accessible, including the Welcome Station/Visitor Center and parking lot. Pathways within the park, which are a mixture of pavement, boardwalk, and compacted dirt, are accessible. Accessible parking and restrooms are available. More information about accessibility at the park can be requested at  (Phone: (916) 445-8949). Upon requests for assistance regarding Clockshop programming content, we will make programmatic aspects of our projects available in accessible alternative formats, including but not limited to sign language, amplification, and priority seating. Requests can be made at .

Annual Reports

Select Press

2024

‘What Water Wants,’ combines meditation, nature, ‘speculative horror’ Madeleine Brand , KCRW, 2024
‘On the banks of the LA River, an audio experience explores ‘What Water Wants,’ Tara Lynn Wagner, Spectrum News, 2024
‘What Water Wants,’ Stacy Suaya, Getty, 2024
‘Transforming the Los Angeles River,’
Earth Focus, PBS SoCal, 2024
‘the underpinning’ reflects on home and belonging,’
Kristopher Gee, Spectrum News, 2024

2023

‘the underpinning’: New Sculpture unveiled at LA State Historic Park,’Luke Netzley, LA Downtown News, 2023
An Artist’s Futuristic Ruins Unveiled in LA,’
Matt Stromberg, Hyperallergic, 2023
LA River ‘cutlural atlas’ is preserving a disappearing local history,’
Steve Chiotakis, KCRW Greater LA, 2023
LA Neighborhoods subjects in history preservation project,’ Margaret Carrero, KNX News, 2023
Art and the State of Water,’ Charlotte Kent, The Brooklyn Rail, 2023
‘National Endowments for Arts Announces Second Round of Grants for FY 2023,’ National Endowments for the Arts, 2023
‘Inside SoCal ‘Lets go fly a kite’, Erica Olsen, KCAL News, 2023
‘As storms postpone or cancel arts events across Los Angeles, organizations remain resilient,’ Steven Vargas, LA Times, 2023

2022

“Jimena Sarno at LA State Historic Park”, Hande Sever, Contemporary Art Review LA Issue 29 (Audio begins at 1:24:09), 2022
“This weekend, look up to the heavens: A Kite ‘gallery in the sky’ will fly over L.A.”Deborah Vankin, Los Angeles Times, 2022

2021

“Kites take flight over Los Angeles State Historic Park”Daily News, 2021

2020

“Proposed aerial gondola for Dodgers fans ignites controversy at Los Angeles State Historic Park”Louis Sahagún, Los Angeles Times,
“VIDEO ART PICK: CARMEN ARGOTE’S LAST LIGHT”,Shana Nys Dambrot,  LA Weekly, 2020
“Walking LA’s Empty Streets During the COVID-19 Pandemic”, by Elisa Wouk Almino, Hyperallergic, 2020
“We were being erased”: The woman who saved California’s Black history, Liam O’Donoghue, East Bay Yesterday, 2020
What Preservation Takes, Ryan S. Jeffery, X-TRA, 2020
The Pioneering Black Historian Who Was Almost Erased From History, Jill Cowan, The New York Times, California Today, 2020
High and Dry, Low and Wet: Some Thoughts on Hatch at the Bowtie Project Rachel Elizabeth Jones, LA Review of Books, 2020
Artists Re-imagine Thomas More’s Utopia at the Huntington Janna Zinzi, KCET, 2020

2019

2018

“The Bowtie Offers a Rare Refuge Along the L.A. River”, Ruxandra Guidi, Bear Guerra, KCET
“Artists Are Using Augmented Reality to Install Virtual Works in Powerful Places”, Brittany Martin, Los Angeles Magazine, 2018
‘Frogtown Without Frogs: The Changing Ecology of the Bowtie Parcel and the L.A. River’ Ruxandra Guidi and Bear Guerra, KCET, 2018
‘Simultaneities: Beatriz Cortez Interviewed by Rafa Esparza’ Rafa Esparza, BOMB Magazine, 2018
‘Adobe, Dust, and Water: Rafa Esparza and Rebeca Hernandez’s building: a simulacrum of power’ Gwyneth Shanks, X-TRA, 2018

2017

’11 Podcasts About L.A. You Must Subscribe to ASAP’ Thomas Harlander, Los Angeles Magazine, 2017
‘Remembering Octavia Butler’ Scott Timberg, Salon, 2017

2016

‘Listen to ‘Next Up: The LA River’ Mini-Session #6: Julia Meltzer (Clockshop) and Elizabeth Timme (LA-Más)’ Amelia Taylor-Hochberg, Archinect, 2016
‘Inside the Octavia Butler Archives With L.A. Writer Lynell George’ 
Julia Wick, LAist, 2016
‘Celebrating Octavia Butler’ 
Kevin Durkin, Verso, 2016
‘Octavia Butler’s Legacy, Impact, and Afrofuturism Celebrated’ 
Jazelle Hunt, NBC News, 2016
‘Mike Kelley Foundation for the Arts Announces Recipients of Inaugural Grants’
 Artforum, 2016 ‘Celebrating Octavia Butler: A visionary among futurists’ Emanuella Grinberg, CNN, 2016
‘Remembering unsung science-fiction hero/Genius Grant winner Octavia Butler’ 
Tom Carroll, Off-Ramp, KPCC, 2016
‘LA Celebrates Science Fiction Legend Octavia E. Butler With a Year of Events’
 Cheryl Eddy, io9, 2016

2015

“The Bowtie Parcel’s Narrative Landscape”, Carren Jao, KCET
‘An Authentic, Nourishing Persian-Jewish Dinner—in Los Angeles’ Merissa Nathan Gerson, Tablet, 2015
‘Dive deep into the history of the LA river via audio tour’ A. Martinez, Take Two, KPCC, 2015
‘Currents, Chapter One: On the Banks under the Bloodmoon’ 
Katie Antonsson, Ampersand, 2015
Best New Performance Art Stage (2015) Catherine Wagley, LA Weekly BEST OF LA, 2015
‘The Best Non-Profit Art Spaces in Los Angeles’ 
Lauren McQuade, ArtSlant, 2015
‘Clockshop brings dance to the banks of the LA River’ 
Robert Garrova, The Frame, KPCC, 2015
‘The Agenda: This Week in Los Angeles’
 Art in America, 2015
‘How to Enjoy the L.A. River Before Its $1.2 Billion Revamp’
 Lila Higgins, LA Mag, 2015
‘taisha paggett and WXPT bring dance to the LA River’ 
Delirious, LA, Los Angeles Forum for Architecture and Urban Design, 2015
‘This Performance Art Space Gives You A Cool New Reason To Visit The L.A. River’ Carol Cheh, LA Weekly, 2015
‘The bowtie project, clockshop la, and the transformation of the la river’ The Family Savvy, LA Edition, 2015
‘5 Free Art Shows You Should See in L.A. This Week’ Catherine Wagley, LA Weekly, 2015
‘Con/Safos: Art in the L.A. River’ 
Evan Moffitt, Paris, LA, 2015
‘A Dream for the Bowtie Parcel, Intro: What is the Bowtie?’
 CalPark Voices, 2015
‘The Bowtie Parcel’s Narrative Landscape’
 Carren Jao, Artbound, 2015
‘Free weekend? Free chocolate, Bill Murray and Happy Hour Week’ 
Kristen Lepore, Daniella Segura, and Jennifer Velez, KPCC, 2015

2014

‘Notes on Looking; Rafa Esparza / Elizabeth Sonenberg Interview’ Notes on Looking, 2014
‘Sounds, tastes of Middle East, North Africa converge at Clockshop in L.A.’ 
Jessica Ritz, Jewish Journal, 2014
‘Clockshop’s The Bowtie Project’ 
Stacy Conde, Art Nerd Los Angeles, 2014
‘Gender Bending: Clockshop Presents the “My Atlas” Series’ 
Arianna Schioldager, alphasixty blog, 2014
‘My Atlas: Discovering the Real Female Traveler’ 
Dariush Azimi, Lady Clever, LA, 2014
‘My Atlas’
 Rachel Morrison, Paris, LA, 2014
‘LA River Hosted Its First-Ever Public Campout This Weekend’ 
Bianca Barragan, Curbed LA, 2014
‘Camping on Concrete at the LA River’ 
DnA on KCRW, 2014
‘The First Ever L.A. River Campout’ 
LAist, 2014
‘Camping out by the L.A. River’ 
The Eastsider LA, 2014
‘Artist hopes public art piece will help re-envision city, nature’
 Brittany Levine, LA Times, 2014
‘The Unfinished: A Temporary Public Sculpture by Michael Parker’ Rachael Morrison, Paris, LA, 2014
‘KCET Artbound; The Unfinished
 5 Articles, Julia Meltzer, Anne Walsh, Michael Parker, Maggie Geoga, and Allison Carruth, KCET’s Artbound, 2014
‘Viewpoints: What’s next in Frogtown’s Future?’
 Julia Meltzer, The Eastsider LA,  2014

2011

‘War and the Sentence Fragment’ Anne Shea, X-TRA, 2011

2004

‘Billboard Oases’ Holly Willis, LA Weekly, 2004
‘Images with a drive-by impact’ 
Scott Timberg, LA Times, 2004

The story behind the name "Clockshop"

Despite what our name implies, we don’t actually sell clocks. Our founder Julia Meltzer shares the story behind the name “Clockshop.”

My great-grandfather came to Los Angeles via Eastern Europe in 1898 to escape persecution and pursue opportunity. The family business was watch-making and selling clocks. He brought this trade to Los Angeles by selling clocks door to door. Eventually, with the partnership of his cousins who also immigrated, they opened a store called the Eastern Clock Company, at 556 South Broadway in Downtown Los Angeles. This business became the Eastern Columbia Outfitting Company, which later found a home in the beautiful new turquoise art deco building at the corner of Broadway and Ninth. Designed and built by Claud Beelman with my grandfather Julian, the store was built in nine months and opened in 1930. It is now a treasured landmark in Downtown LA.

I chose the name Clockshop to honor the history of the business our family built. I looked to my past to guide the vision and mission of the organization and to bring beauty and purpose to the city I was born in. Over Clockshop’s 20 years, I have come to see deeper significance in our chosen name; Clockshop takes time; we invest in going slowly, building relationships, and going deep with people and place.

Support

Clockshop is a 501(c)3 nonprofit organization, and relies on the generosity of government, foundation, and corporate support, as well as individual donors. Donations can be made at anytime here. As an arts organization, Clockshop has a strong conviction that producers of culture should be paid for their time and engagement. All Clockshop participants—artists, writers, performers, activists, chefs—are compensated. Clockshop is a member of and supported by the Los Angeles Visual Arts (LAVA) Coalition. Clockshop’s programs have been supported by:

Additional supporters include the Good Works Foundation and numerous other private donors.

2024 Clockshop Circle

Weaver
Dan Greaney
Abby Sher
Alan Sieroty
Aaron Sosnick
WHH Foundation


Sower
Jon Christensen
Barbara Cohn
Kevin Kane
Eve Meltzer
Joseph Meltzer
Andy Wong
Yerba Buena Fund

 

Nurturer
Yuval Bar Zemer
Jim and Diane Berliner
Eric and Jocelyn Blumberg
Claire Bowin
CBS
Vali Chandrasekaran
York Chang
Coldwell Banker Realty | Tracy Do
Allen Compton
Cygnet Foundation
Dake Wilson Architects
Joshua Decell
FoLAR
Kristin Gore and Damian Kulash
Tracy Gray
Elizabeth Greenberg
Steve Hely
Pam and Evan Kaizer
LAANE
Tracey Landworth
Grace Lee
Liberty Hill Foundation
Paula Litt
Mia Locks
Stella Maloyan
Wally Marks
Beth Meltzer
Night Gallery
Max Nisen
Patricia Pérez
Rexford Industrial
Pamela Sher
Ron Sher
Tracy Stone
Sara Swan
Jo Szeto and Ryan Wu
Dominique Tan
Cynthia Vargas
Laura Wasser

Rent Our Space

The lovely, open, and comfortable spaces at Clockshop and elysian are available for daytime use for work meetings, retreats, team-building sessions, and workshops. Nonprofit rates are available! Learn more about the facility, rental rates, and what is provided here.

If you are interested in utilizing the space or you have questions, please be in touch with 
david@elysianla.com