Pansa del Publico

Detail from La Ceiba Me Salvó/The Ceiba Saved Me by Eddie Rodolfo Aparicio
Detail from La Ceiba Me Salvó/The Ceiba Saved Me by Eddie Rodolfo Aparicio
Detail of the Ceiba tree's trunk with thorns

Pansa del Publico

Eddie Rodolfo Aparicio
Los Angeles State Historic Park

Sunday, May 2 – Sunday,  July 25, 2021

Pansa del Publico by Eddie Rodolfo Aparicio is both a sculptural object and functional beehive oven inspired by the artist’s Salvadoran roots, the Zanja Madre, and the Ceiba tree.

Clockshop presents Pansa del Publico by Eddie Rodolfo Aparicio. It is both a sculptural object and functional beehive oven inspired by the artist’s Salvadoran roots, the Zanja Madre, and the Ceiba tree. Beehive ovens are one of the oldest traditions in Central America and often serve as the main cooking source and a hub for community connections in rural areas of El Salvador. The inner layer of the oven is made of bricks, echoing the construction of the Zanja Madre, the original aqueduct that brought water to the nascent Pueblo De Los Angeles. The sculpture is also covered with a coat of fired and glazed ceramic thorns similar to those found on the trunk of young Ceiba trees, the most sacred tree of the ancient Maya, and which are native to Central, South America, and West Africa. 

In this work, the artist centers his own family’s history, the strength of collective organization, and a material investigation that draws from the deepest well of indigenous technology to shift the object away from the modernist conception of the supremacy of form as a universal given. The sculpture will be activated through collaborations with local partners for baking community events over the run of the project’s installation at the Los Angeles State Historic Park. The artist’s aim is to activate public space when so much is in flux and people are in desperate need of connection and healing. 

About the artist

Eddie Aparicio was born in Los Angeles. He received an MFA in Painting and Printmaking from Yale University, a BA from Bard College and also attended the Skowhegan School of Painting and Sculpture and the Southern California Institute of Architecture. His recent works address the intersection of social and environmental justice through specific use of material, sound, and multiplicity of site. He uses materials such as rubber and amber that have a strong tie to pre-hispanic cultures in Central America to document Central American communities in Los Angeles. He has recently exhibited at El Museo, the Crystal Bridges Museum of American Art, Commonwealth and Council, The Mistake Room, and Los Angeles Contemporary Exhibitions among others. He has received awards from the National Endowment for the Arts, California Community Foundation, and the Robert Rauschenberg Foundation. 

This work is presented as part of the Clockshop 2020 Open Call for Bowtie Commissions. Clockshop has shifted our public programs and artwork commissions from the Bowtie site along the LA River to the Los Angeles State Historic Park as part of our strategic response to state and local health ordinances for how public gatherings can take place during the COVID-19 pandemic.